When I say room I mean cupboard.
The 'room' was a little over a metre wide and maybe two metres long, with a thin plastic mattress leant up against one wall. At the end was the bathroom. This was an amazing space, simply for the lack of it. In an area of perhaps 1 metre square max was fitted a shower, toilet and sink. Admittedly you had to sit on the toilet sideways, which was where you'd also sit to shower, and reach behind it to access the world's tiniest sink, snugly fitted into the windowsill space, and that was only if you were able to get in and turn around in the first place, what with the boiler taking up a fair portion of the headspace...
This guy knew what he was doing.
"Closethedoorbehindyoutolaythebedonthefloor.Sheetsareintheplasticbagbehindthedoorok?greatseeyoubye"
And with that he walked out, closing the door behind him, and was gone. Gobsmacked is a state that I had always thought existed only in crappy literature. Until that moment. I stood still for a minute, mouth open, trying to work out if I was dreaming or actually had just been charged 150 Hong Kong dollars for a night in a broom cupboard on a wipe-clean mattress.
It took a while for a word to form in my head. First an 'n', then, finally, an 'o'. No. Sorry. Hey! No! I opened the door and ran down the corridor after the guy. Like hell I was going to stay some place like that. I may be on a budget, but there are limits. I had stupidly given him my deposit already and of course he refused to give it back. I had no alternative but to follow him to another room on another floor in another guesthouse, which was at least decent, if a complete rip-off. At that point though I didn't care. One night and I'd move. I just needed to sleep.
Welcome to Hong Kong...
What I saw at first almost shocked me. I saw normality. It was just like being at home. I didn't know what to do with myself. And there were so many foreigners! I haven't seen as many white faces in one place since I left the UK. I honestly thought in my head 'wow, look at all the laowai'. I stood and considered them from the same perspective as the Chinese in Lanshan consider me and my presence in their small town. I temporarily felt myself to be on the other side of the fence. That was weird.
For eight months though I have lived in a small rural town where the opening of a supermarket stocking 30 different kinds of toothpaste (but still no deodorant) is an event celebrated with song and dance, water buffalo walk down the main street and farmers sell their wares sat by the side of the road. Suddenly I was in a skyscraping metropolis where pinstriped businessmen carrying coffees and women in designer shades strode past doormen maintaining orderly queues outside Louis Vuitton. Crowds of trendy young folk waited obediently for the traffic lights to stop the constant stream of traffic and let them cross the roads lined with stand-alone stores representing every single exclusive designer and luxury brand label I had ever heard of while working for Harvey Nichols. Fendi, Missoni, Roberto Cavalli, Zegna, Chloe, Paul Smith...it was like walking through a catalogue. It was overwhelming. I had reverse culture shock and began to feel slightly homesick for simple little Lanshan.
I went to good restaurants and ate varied food. Italian, American, vaguely German and an excellent lunchtime buffet at the fantastically named 'Gaylord' Indian restaurant. I did not touch Chinese food for an entire week.
I went swimming. And it felt like the best thing in the world. I used to train 3-4 times a week when I was younger and I have missed it so much. I swam for as long as I could and fully exhausted myself. Best feeling in the world.
I went to the cinema. I shouldn't have bothered. I was dying to see a film in a theatre but, Sod's Law, there was nothing decent showing at the time. I settled for 'Epic Movie', by the makers of 'Scary Movie' and realised I really hadn't missed that much.
I went to museums and galleries. These were great. I love museums, and my sisters don't, so I had my fill while I could. The Hong Kong Museum of Art was a very cool place. One exhibition I saw was 'Chinglish', celebrating the peculiar mixture of Chinese and English slang that many people, especially in Hong Kong, speak. It was ok, with the exception of one piece, by an artist called Tsang Kin-wah. I walked through a doorway into a room decorated floor to ceiling in a blue and white Victorian style floral print. It was only when I got closer to examine the pattern that I saw that each leaf and petal was formed of words. Bad words. Words like 'f**king b*stards', 'shut the f**k up', 'stupid f**king c**t' and 'pretentious little sh*ts'. It was amazing how a pattern so tame and inoffensive could be fundamentally composed of these streams of abuse. Pure genius. Everyone was walking round so seriously, appreciating how (and I quote) 'the huge discrepancy between visual associations generates huge conceptual displacements, leaving visitors uneasy...'. Personally I couldn't keep a straight face and just kept thinking how much my mom would have loved it. As I continued to read, my eyes fell on a tiny leaf twirling away from a larger stem that simply read 'boobs boobs'. I burst out laughing and had to leave the room.
Examples of similar works are here and here. Please, please, please have a look around his website. I have already vowed that when I'm all grown up my bathroom will be decorated in this style.